Sunday, February 05, 2012
Sunday, March 06, 2011
Conservative Movies: "Never Let Me Go"
- NewsRealBlog: "New Conservative Film “Never Let Me Go” Asks: Do Children Have Souls?", by J. Christian Adams
- IMDb page
- NRO: "The Best Conservative Movies"
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Kassandra Troy
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Labels: cinematography, Conservatism
Tuesday, November 09, 2010
"Cool It", the Movie
Update
Lomborg is Al Gore Lite - "Cool It" is "An Inconvenient Truth", Children's Edition. Lomborg, an economist, keeps true to the climate narrative and says, "So what?" But Lomborg does not think CO2 reduction is the solution. Neither does he believe the consequences of climate warming are disastrous. That's the subtle difference -
Green Hell Blog: "Bjorn Lomborg is Al Gore lite"
Self-proclaimed “skeptical environmentalist” Bjorn Lomborg is uttering untruths about genuine skeptics while promoting his new movie “Cool It.”
Appearing on Fox Business Channel last Friday, Lomborg was asked by host Stuart Varney whether humans were causing [catastrophic] global warming. “Is it us? Is human beings who are doing this?,” implored Varney. (...) >>>
November 16, 2010
In theaters November 12th
Climate catastrophe? The end of civilization as we know it?
Cool It is based upon the book of the same name and lectures by Bjorn Lomborg, the controversial author of The Skeptical Environmentalist
Lomborg is the founder and director of the Copenhagen Consensus Center, a globally respected think tank that brings together the world’s leading economists to prioritize major global problems – among them malaria, the lack of potable water and HIV/AIDS – based upon a cost/benefit analysis of available solutions.
Amidst the strong and polarized opinions within the global warming debate, Cool It follows Lomborg on his mission to bring the smartest solutions to climate change, environmental pollution, and other major problems in the world.
The official websiteTrailers
Blog
IMDb
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Labels: cinematography, environmentalism
Sunday, September 19, 2010
"Generation Zero" and the September 2008 Capital Vortex
Largely unbeknowsed to the wider public some analysts have touched upon the shady subject on earlier occasions, each with their own theories. They are brought here together.
Some intrepid commentators are also venturing a guess. One has cobbled together the timeline (see the comment sector at the bottom of the first article, particularly here and here).
You can't make this stuff up. So much coincidence just doesn't happen! You don't have to wear a tin foil hat to see that!
PJM: "Generation Zero Zeros in on Cultural Roots of Financial Crisis", by Mary Claire Kendall
September 18, 2008 — the day the market lost $550 billion in little over an hour, costing Americans $14 trillion — was the tipping point for deeply indebted, over-obligated America.
Candidates on the stump are finding voters deeply attuned to and worried about America’s precarious financial condition, thus the impending electoral tsunami on November 2.
Generation Zero – conservatives’ answer to Michael Moore’s Capitalism: A Love Story — zeros in on the causes of this crisis.
The film, made by Stephen K. Bannon (Victory Productions) and David Bossie (Citizens United) — taking about two years and $5 million less than Moore’s love story — makes a convincing case, very artfully, that, in the words of Bulls & Bears’ Tobin Smith, this meltdown was a “failure of culture not of capitalism.”
It opens with Congressman Paul Kanjorski (D-PA) dramatically recounting the cliff we nearly drove over two years ago.
“We were having an electronic run on the banks” Kanjorski said the Fed concluded after immediately pumping $105 billion into the system to no effect. The only solution was to “close the operation, close down the money accounts….”“If they had not done that,” Kanjorksi intoned, “their estimation was that by two o’clock that afternoon, five and 1/2 trillion dollars would have been drawn out of the money market system of the United States, would have collapsed the entire economy of the United States and within 24 hours the world economy would have collapsed (which would have meant) … the end of our economic system and our political system as we know it.”
“Someone,” Kanjorski concluded, “threw us in the middle of the Atlantic Ocean without a life raft. And we’re trying to determine which is the closest shore and whether there’s any chance in the world to swim that far. We don’t know.”Generation Zero compellingly argues that only by attacking the causes of this still-bubbling crisis will we make it to shore. And far from being a mystery, the bevy of experts interviewed, including Roger Kimball and Victor Davis Hanson, assert the causes are very clear. (...) >>>
Sept. 19, 2010
Their purpose, he says, is "to loot America and any foreign country which invested in America. Greece was one of them. Iceland was ravaged and annihilated." (...) The most influential members of Managed Funds Association, the hedge fund short sellers, have an anti-capitalism agenda, an anti-industrialized nation agenda, and a far left liberal, Marxist radical agenda," Diamond says."
As a result, the paper said, at least four hedge funds had been asked by the Justice Department to turn over trading records and other documents. They were Greenlight Capital, SAC Capitol Advisors, Paulson & Company and Soros Fund Management. (...) >>>
Apr 2, 2010
Enter Stage Right: "A man-made financial disaster", by Alan Caruba
Just eighteen days earlier an event occurred that slid under the radar screen of virtually the entire mainstream media. On Thursday, September 15, 2008, at approximately 11 A.M., the Federal Reserve noticed a tremendous draw down of money market accounts in the nation, amounting to $550 billion dollars. It occurred within an hour or two. The money was removed electronically.
It has never been made public which accounts were affected, nor where the withdrawn funds were sent. If we knew those facts, we would know who launched an attack on the United States that has been more devastating than any in our history.
Had the Federal Reserve not closed down the accounts involved it is estimated that by 2 P.M. $5.5 trillion would have been withdrawn and the entire economy of the nation would have collapsed. It would have been followed within a day with the collapse of the world's economy. (...) >>>
Nov. 16, 2009
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Labels: cinematography, credit crisis, economy, financial crisis, George Soros, Wall Street
Monday, July 26, 2010
Dispelling the Myths on Racism
Run away slave movie channel on YouTube
Runaway Slave - The Documentary, with Pastor C.L. Bryant. An honest discussion about black conservatives in America. "Run away from the slavery of tyranny towards the blessings of liberty!" The film is now in production and is a non-profit project. Look for newsletter sign up and more details coming soon at http://www.runawayslavemovie.com.
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Labels: cinematography, racism
Monday, March 08, 2010
A Sea Change in Hollywood?
The observation of a single swallow doesn't mean it's summer, as a local proverb goes. But hey, we're talking Hollywood here. Roger L. Simon has the good news.
Pajamas: "Did the 2010 Academy Awards Mark the End of “Liberal Hollywood”?"
But one thing is now certain. It is time for conservative, center-right and libertarian filmmakers to stop feeling sorry for themselves and go out and just do it. Their “victocrat” days are over. No more excuses. “The Hurt Locker
Check IMDb for the entire list of winners of the 82nd Annual Academy Awards and all the photos from the big night: the red carpet arrivals, moments from the show, the press room happenings, and the after-parties.
- "The Hurt Locker" on IMDb
- "The Blind Side" on IMDb
Related articles by Zemanta
- The Hurt Locker sweeps Oscars (go.theregister.com)
- 'The Hurt Locker' Guys -- Oscars 2010 Red Carpet (justjared.buzznet.com)
- EPIC WIN: Hurt Locker Kicks Avatar At Academy Awards (inquisitr.com)
Posted by
Kassandra Troy
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15:32
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Labels: Academy Awards, cinematography, Hollywood
Saturday, February 06, 2010
Too Late to Apologize
A Soomo Publishing production
Hat Tip: Cloud Downey
Posted by
Kassandra Troy
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13:52
1 comments
Labels: cinematography, Declaration of Independence, Tea Party Movement
Saturday, January 09, 2010
"A New America", the Movie (II)
Continued from Part I
Forget what you think you know about the Twentieth Century ...
A New America is coming January 21
Producers: Shelli Dawdy, Peggy Persac, Remy Williams, Lawrence Svendson, Matt Keith.
- A New America Movie official website
- A New America Movie on Facebook
- A New America Movie on YouTube
Related:
- On Politeia: "Which New America, Which New World"
Posted by
Kassandra Troy
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Labels: cinematography
Thursday, January 07, 2010
"Do As I Say"
The title "Do As I Say", a documentary by Nick Tucker based on Peter Schweizer's book, strikes the postmodern Left's new tone to perfection. As they're shedding the last vestiges of liberalism, authoritarian "Shut Up" and "Nanny Knows Best" have become the dominant chord. But that's not the substance matter with which this movie deals. It's about hypocrisy. That's rive too.
The email before me proclaims:
New Film Exposes Al Gore Getting Rich off of Global Warming Scam
"Do As I Say proves that Al Gore is a phony and a fraud that does not practice what he preaches, as well as uncovering blatant hypocrisy and double standards of so many other leading liberals."
"This hip and hard-hitting documentary reveals that the two-faced mantra "do as I say, not as I do" has become the unwritten golden rule of liberal leaders who make their livings, and their fortunes, waging war against the very economic system that has allowed them to succeed beyond most peoples wildest dreams."
"Michael Moore, Al Gore, Hillary Clinton, Noam Chomsky, The Kennedys and George Soros all figure prominently in this uncompromising look at how some of our country’s most liberal leaders publicly deplore capitalism and oppose free enterprise, while privately amassing enormous entrepreneurial wealth."
"Al Gore parades around the globe condemning humans for causing global warming and destroying the earth. He chastises us for our way of life and demands that we reduce our "carbon footprint". All the while, he has amassed a fortune and been the beneficiary of his doom and gloom scare tactics."
"Al Gore refuses to do public interviews because he is unable to defend his positions and claims. Do As I Say exposes Al Gore as the fraud that he is and proves that the liberal environmental movement is a scam."
"Do As I Say uncovers not only Al Gore's hypocrisy, but also the hypocrisy of other liberals like Michael Moore, Hillary Clinton, Noam Chomsky, The Kennedys and George Soros."
"Hypocrites come in all shapes and sizes. And when it comes to politics, hypocrisy is just part of the game. But the press only tends to cover half the story. For decades, the American people have benefited from the media's meticulous investigation of hypocrisy among conservative leaders. Meanwhile, liberal hypocrisy gets a free pass. But not anymore."
Stephen Hicks explains the underlying Leftist authoritarianism, the environmentalists' anti humanism and statists' collectivism. It was always lurking at the bottom of the pond. As liberalism wanes, soon we shall see the other side of the progressive mindset.
"In a film that will forever change how we see America and its leaders, filmmakers Nicholas Tucker and Lucas Abel take us on an unforgettable journey through a political landscape filled with hypocrites and humbugs. Along the way, they reveal a disturbing national truth: that the two-faced mantra “do as I say, not as I do” has become the unwritten golden rule of some of our most prominent liberal leaders."
- Trailers - The Movie - The Book - The Blog -
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Kassandra Troy
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Labels: Al Gore, cinematography, environmentalism, Liberalism, Nick Tucker, the Left
Wednesday, December 23, 2009
The Remarkable History of "We the Living"
Andrew Leigh on Breitbart's Big Hollywood reviews a remarkable DVD, released just in time for the holiday season.
The question is, what is not extraordinary about "We the Living"? The story itself, written by Russian born American author and philosopher Ayn Rand (1905-1982), the prehistory of the original film - shot in Mussolini's Italian Social Republic in 1942 and banned for its critique of collectivism, or the release of the 1986 version or now, the DVD?
"We the Living
The novel is set against the background of the Russian Revolution. It tells the story of three people who see through the lies of the parallel reality that the Communists had erected, defy the power of the collective state, and demand to live their own lives, pursue their own happiness.
It laid the groundwork for the integrated theory Rand called Objectivism, which may be summed up as the Ethics of Capitalism.
Another work, "Atlas Shrugged
- "We the Living" (1942) IMDb page
- "We the Living" (1986) IMDb page
- Review on The Atlasphere by Andrew Leigh
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Labels: Ayn Rand, cinematography, communism, literature, objectivism, Russian Revolution
Thursday, November 05, 2009
Of Cultural Resistance, Child Abuse and Divided We Conquer
Big Hollywood has unearthed no less than 11 new Youth-for-Obama indoctrination videos of various qualities, styles and degrees of creepiness.
A few things they share however: inculcating in the young an adoration for the dear leader and an emphasis, not on their common humanity, but on what divides them.
Not a single moment are we allowed to forget that everyone belongs to a minority group, the postmodern equivalent of the class struggle. It can't be rubbed in often enough!
They never fail to point out the collectivist divide: black is juxtaposed to white, girls to boys, rich to poor, abled to disabled, the list is endless. It is how Progressives rule. It is nevertheless a by-product of another fallacy.
In"Why Multiculturalism is Racist and Evil" we explained how that works:
"Polylogism (here defined, and here seen in postmodern action) is a form of collectivist (group) subjectivism that also produced the National Socialist racial theories. A postmodern term for polylogism is multiculturalism.The most dangerous aspect in this particular instance of exploiting children for political reasons is that no one on the Left seems to be aware of any moral problem! Or do they, but do they carry on nevertheless, perhaps because the aim justifies the means? Another instance of "our collective goalis so much higher than a few individuals!"
A people, racial or cultural group is seen as having to follow its own particular destiny apart from the rest of humanity (...) The irrationality of multiple 'logics' apart, this form of self-determination negates universalism and is in fact racism, with apartheid as a direct consequence.
Universalism endows the human race as a whole with basic rights, as poetically summed up in the American Declaration of Independence: (...) "that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness."
I went into this over a year ago, in October 2008 in a post entitled "The Comprehensive Guide to Youth for-Obama" when the Presidential campaigns were winding down:
"To begin with, children of any age as a rule are innocent, vulnerable and impressionable. This is why we strive to shield them from predators and exploitation. Doses of reality are administered piecemeal in a controlled fashion, carefully dispensed when we believe they are able to handle a given situation.By coincidence it has transpired that the source of the Obama PropArt was the National Endowment of the Arts' (NEA) incestuous involvement with the administration; would suggest one of our intrepid new media reporters sheds his pajamas and starts ferreting into the possibility of equally inappropriate relations with someone in the dear leader's office with the National Teachers Union (or something) (tip: why not try Buffy first?).
Children lack the mental tool to discriminate, and are therefore open to suggestion. Precisely because their minds are like sponges, soaking up all information that's available to them, the totalitarians of our world prefer their pawns young, at the earliest age possible."
Now enjoy the B-Cast's dealing with "V" (apparently the new "O" ... who could've thought! so much independent thinking!) and the 11 Youth-for-Obama nuggets.
Related dossiers:
- "The Dialectics"
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Labels: Barack Obama, cinematography, indoctrination, multiculturalism, polylogism, Propart, racism
Saturday, October 31, 2009
"Mr. Smith Goes To Washington"
In honor of Doug Hoffman and individual patriots like him ...
"Mr. Smith Goes To Washington", posted with vodpod
Details of this 1939 film Frank Capra film on IMdB. Starring the one and only ... James Stewart! The story is shockingly relevant!
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Labels: cinematography, James Stewart
Thursday, October 22, 2009
Mission to Moscow: A Very Short History of PropArt
Barack Obama's intimate relations and conference calls with aspiring artists at National Endowment for the Arts may come as a shock to purists, it is anything but a novelty!
New York Post: "To Russia with love", by Lou Lumenick
The lost film that shows how Hollywood — and Washington — embraced the Soviets
On Christmas Eve, 1942, screenwriter Howard Koch was packing for a trip to New York when he received an urgent summons to meet with his bosses, Warner Bros. founders Harry and Jack Warner.
After thanking Koch for his contributions to “Casablanca,” which had opened a month earlier, the moguls ordered a reluctant Koch, as his patriotic duty, to whip out a script for an unusual pro-Soviet propaganda epic to be directed by “Casablanca” helmer Michael Curtiz.
“Mission to Moscow,” which arrives on DVD Tuesday (at warnerarchive.com) after decades in obscurity, turned out to be Warner Bros.’ most notorious production, an eye-catching jaw-dropper labeled by a critic as a “$2 million love letter” to dictator Joseph Stalin, now best remembered as the No. 2 mass murderer of the 20th century.
Most remarkably, the film Jack Warner would call the only one he ever regretted making — after a grilling before the House Un-American Activities Committee that sent Koch into blacklisted exile — was personally commissioned by the President of the United States, who asked Warner Bros. to make it as part of Hollywood’s efforts to whip Americans into a patriotic frenzy during World War II.
“President Roosevelt himself asked Harry and Jack Warner to assist in educating, entertaining and enlightening the American people,” says Harry’s granddaughter, film historian Cass Warner. “Little was known about the Soviet Union, who were our allies at the time, [but] this never came to the forefront even when the film was used as evidence of the Bros. making subversive films during the McCarthy Era.” (...) >>>
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Kassandra Troy
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Labels: cinematography, FDR, Mission to Moscow, propaganda, Propart, Soviet Union, Stalin
Tuesday, September 29, 2009
Racist! (Updated)
You gotta see this!
Pajamas TV/Sonja Schmidt: "What's it Take to Be a Racist?"
Sept. 29, 2009
~
Democrats' shrieks of "racist!" this week reached psychotic levels. Let's not sum up who made up the chorus, but former antisemetic President Jimmy Carter was the temporary apotheosis.
Charges of racism have very little to do with reality and serve the purpose of what in another era was 'fascist'. It's a stopper and a slightly more grown-up version of a temper tantrum.
The big winner in this offensive is, yes ... racism.
Big Hollywood: "Real Racism: Lessons in ‘To Kill a Mockingbird’", by Andrea Shea King
My name is Bob Ewell. We’re all Bob Ewells if you check with the Left and their media mouthpieces.
Who is Bob Ewell? Well, if you’ve ever watched the movie To Kill a Mockingbird, you’d know that Ewell is the racist character who destroyed the life of an innocent man.
To Kill A Mockingbird is a classic American film, based on Harper Lee’s novel of life in 1936 Alabama and racial injustice that resided there.
The importance of this movie is that the cries of racism today, most recently by former president Jimmy Carter — which are not true — damage and set back the real cases of racism.
This movie shows us real racism, which thankfully, we don’t see much of today. (...)
The contrast is glaring between this made up political racism and the real deal — the real Bob Ewells of the world. Like Television.com offers it for free online. (...) >>>
Here's the theme by Elmer Bernstein, which is exquisite!
IMdB page.
Slide show.
Wiki.
And for heaven's sake! Stop the racist! rage!!!
Another update (Oct. 15, 2009)
Red State: "The Totally Real And Not Fake Stupid Quotes Shenaniganza!", by Caleb Howe
That’s what the MSM had to say in comments about Rush Limbaugh’s recent bid to purchase the St. Louis Rams. According to some guy I overheard at the mall, White House Press Secretary Robert Gibbs suggested that Limbaugh owning the Rams “is exactly the same as slavery, but fatter.” And then there’s what Helen Thomas probably said, “Rush to what window? With a ram? Where’s my sweater?”
So in honor of the controversy, I’ve compiled a top ten list of some completely ridiculous but totally true and not fake quotes of famous people who are not (or so they claim) Rush Limbaugh. These are, like, so the true. For really real. Really. No … really.
THE TOTALLY REAL AND NOT FAKE QUOTES SHENANIGANZA TOP TEN (...) >>>
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Labels: cinematography, racism
Saturday, September 26, 2009
Friday, September 18, 2009
Israel's Raid on Saddam's Nuclear Reactor (1981)
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Labels: cinematography, France, Iraq, Israel, Jacques Chirac, nuclear proliferation, Saddam Hussein
Tuesday, September 15, 2009
How the Dutch Became Water Architects
NRC: "1953 flood survivors see much wrong with the film version", by Kester Freriks
People who lived through the 1953 North Sea flood were given a special viewing Sunday of The Storm, the first feature-length movie to be made about the disaster. They saw much that was at odds with reality.
A scene from The Storm; the movie was filmed on location in the Netherlands and Belgium.
Many survivors of the 1953 North Sea flood in Zeeland province had no wish to see the premiere of The Storm, director Ben Sombogaart's movie version of the biggest natural disaster in Dutch history. "I didn't want to go through all that again," said one women who was a rescue worker in 1953. "But when I heard that it was movie and not a documentary with real news footage, I decided to go anyway."
On the night of 31 January – 1 February 1953 many dykes in the south of the Netherlands failed to resist the combination of spring tide and a northwesterly storm. The resulting floods put large parts of the provinces South-Holland, Zeeland and North-Brabant under water, killing 1,835 people and forcing the evacuation of 70,000 more. The storm also affected England, Belgium, Denmark and France, and left another 700 people dead there. (...)
Although it has been more than fifty years, the disaster is still very much alive in the southwestern Netherlands. Now that there is talk of returning a piece of reclaimed land, the Hedwige polder, to the sea - to compensate for the environmental damage from dredging the shipping lane to the port of Antwerp - history, cinema and political reality seem to have come together. (...) >>>
Here's the real thing breaking news in 1953:
- Slideshow of the film
- Slideshow of the disaster
- Flood Museum
- site of "Deltaworks", the infrastructure of levees, dams and dikes
- wiki "Deltaworks"
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Labels: 1953 Flood, cinematography, the Netherlands
Saturday, September 12, 2009
"A New America", the Movie
The United States economy reached a meltdown point in September 2008. A Republican President and Democratic Congress passed a massive bill to bail out banks. Many Americans were shocked that the wealthiest country in the world could be in so much financial trouble overnight. This financial crisis occurred at a point when many Americans were already looking for change in their government and an election provided the opportunity.
Then Candidate Barack Obama promised to turn the page and take America in a new direction. A majority of voters were receptive to this message. Congressional leaders pledged to work with their new President to help his vision become reality.
Americans made a similar choice in 1932, when the economy was in a serious downturn. Franklin Delano Roosevelt promised a New Deal for America, a series of government programs to turn the economy around. FDR is credited by many historians for having spared the United States from drifting towards the totalitarianism that swept through Europe and other parts of the world at that time.
Barack Obama began his term in office in an atmosphere of heady optimism, in the wake of Abraham Lincoln. Many pointed to the Presidents agenda as the New New Deal and Barack Obama himself promised fundamental change.
And one cold January day, we embarked on the path to a new America...
- A New America Movie official website
- A New America Movie on Facebook
- A New America Movie on YouTube
Related:
On Politeia: "Which New America, Which New World"
"A New America", the Movie (II)
Posted by
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Labels: cinematography
Saturday, July 11, 2009
"The Stoning of Soraya"

Topics of discussion are the origin and background of the film, the making of, the attitude of Hollywood, feminists and the Left in the face of the savagery of Sharia law towards women.
Starring James Caviezel, Mozhan Marnò and Shohreh Aghdashloo.
The Official site.
Watch the slideshow on IMDb.
Page on IMDb.
Update:
Below is the director sitting down with Natalie Foster:
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Labels: cinematography, Iran, Islam
Saturday, June 06, 2009
Historical Movie Theater: D-Day Newsreels
Tonight's historical movie comes with great gratitude from Tim Gray Media:
The Tim Gray Media site is a treasure trove of D-Day material and expert information. On the WWII tab we learn that ...
"(...) the “D” does not stand for “Deliverance”, “Doom”, “Debarkation” or similar words. In fact, it does not stand for anything. The “D” is derived from the word “Day”. “D-Day” means the day on which a military operation begins. The term “D-Day” has been used for many different operations, but it is now generally only used to refer to the Allied landings in Normandy on 6 June 1944.
Why was the expression “D-Day” used?
When a military operation is being planned, its actual date and time is not always known exactly. The term “D-Day” was therefore used to mean the date on which operations would begin, whenever that was to be. The day before D-Day was known as “D-1″, while the day after D-Day was “D+1″, and so on. This meant that if the projected date of an operation changed, all the dates in the plan did not also need to be changed. This actually happened in the case of the Normandy Landings. D-Day in Normandy was originally intended to be on 5 June 1944, but at the last minute bad weather delayed it until the following day. The armed forces also used the expression “H-Hour” for the time during the day at which operations were to begin. (...) >>>
Also, check out the blog for more wonderful stories.
Particularly noteworthy is the footage of annual visits to the Normandy coast with veterans (a number on the YouTube Channel) - in fact Tim Gray has been tweeting live all day from the commemoration site in France.
Also drawing your attention to a beautifully produced and very touching full one hour documentary exclusively available on the official Tim Gray site, entitled "D-Day, the Price of Freedom" (trailer). Note the difference in tone compared to the newsreels of the time, in which optimism and boosting morale was of a higher order than the grim reality.
Related:
- The National World War II Museum (U.S.)
- D-Day Museum and Overlord Embroidery (U.K.)
- Filed on Articles in "History Compiled" -
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Labels: cinematography, D-Day, Tim Gray Media, World War II








