Of Cultural Resistance, Child Abuse and Divided We Conquer

Big Hollywood has unearthed no less than 11 new Youth-for-Obama indoctrination videos of various qualities, styles and degrees of creepiness.

A few things they share however: inculcating in the young an adoration for the dear leader and an emphasis, not on their common humanity, but on what divides them.

Not a single moment are we allowed to forget that everyone belongs to a minority group, the postmodern equivalent of the class struggle. It can't be rubbed in often enough!

They never fail to point out the collectivist divide: black is juxtaposed to white, girls to boys, rich to poor, abled to disabled, the list is endless. It is how Progressives rule. It is nevertheless a by-product of another fallacy.

In"Why Multiculturalism is Racist and Evil" we explained how that works:

"Polylogism (here defined, and here seen in postmodern action) is a form of collectivist (group)  subjectivism that also produced the National Socialist racial theories. A postmodern term for polylogism is multiculturalism.

A people, racial or cultural group is seen as having to follow its own particular destiny apart from the rest of humanity (...) The irrationality of multiple 'logics' apart, this form of self-determination negates universalism and is in fact racism, with apartheid as a direct consequence.

Universalism endows the human race as a whole with basic rights, as poetically summed up in the American Declaration of Independence: (...) "that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness."

The most dangerous aspect in this particular instance of exploiting children for political reasons is that no one on the Left seems to be aware of any moral problem! Or do they, but do they carry on nevertheless, perhaps because the aim justifies the means? Another instance of "our collective goalis so much higher than a few individuals!"



I went into this over a year ago, in October 2008 in a post entitled "The Comprehensive Guide to Youth for-Obama" when the Presidential campaigns were winding down:

"To begin with, children of any age as a rule are innocent, vulnerable and impressionable. This is why we strive to shield them from predators and exploitation. Doses of reality are administered piecemeal in a controlled fashion, carefully dispensed when we believe they are able to handle a given situation.

Children lack the mental tool to discriminate, and are therefore open to suggestion. Precisely because their minds are like sponges, soaking up all information that's available to them, the totalitarians of our world prefer their pawns young, at the earliest age possible."

By coincidence it has transpired that the source of the Obama PropArt was the National Endowment of the Arts' (NEA) incestuous involvement with the administration; would suggest one of our intrepid new media reporters sheds his pajamas and starts ferreting into the possibility of equally inappropriate relations with someone in the dear leader's office with the National Teachers Union (or something) (tip: why not try Buffy first?).

Now enjoy the B-Cast's dealing with "V" (apparently the new "O" ... who could've thought! so much independent thinking!) and the 11 Youth-for-Obama nuggets.



Related dossiers:

- "The Dialectics"

- "Socialist Causes Explained"

Mission to Moscow: A Very Short History of PropArt

Barack Obama's intimate relations and conference calls with aspiring artists at National Endowment for the Arts may come as a shock to purists, it is anything but a novelty!

New York Post: "To Russia with love", by Lou Lumenick

The lost film that shows how Hollywood — and Washington — embraced the Soviets

On Christmas Eve, 1942, screenwriter Howard Koch was packing for a trip to New York when he received an urgent summons to meet with his bosses, Warner Bros. founders Harry and Jack Warner.

After thanking Koch for his contributions to “Casablanca,” which had opened a month earlier, the moguls ordered a reluctant Koch, as his patriotic duty, to whip out a script for an unusual pro-Soviet propaganda epic to be directed by “Casablanca” helmer Michael Curtiz.

“Mission to Moscow,” which arrives on DVD Tuesday (at warnerarchive.com) after decades in obscurity, turned out to be Warner Bros.’ most notorious production, an eye-catching jaw-dropper labeled by a critic as a “$2 million love letter” to dictator Joseph Stalin, now best remembered as the No. 2 mass murderer of the 20th century.

Most remarkably, the film Jack Warner would call the only one he ever regretted making — after a grilling before the House Un-American Activities Committee that sent Koch into blacklisted exile — was personally commissioned by the President of the United States, who asked Warner Bros. to make it as part of Hollywood’s efforts to whip Americans into a patriotic frenzy during World War II.

“President Roosevelt himself asked Harry and Jack Warner to assist in educating, entertaining and enlightening the American people,” says Harry’s granddaughter, film historian Cass Warner. “Little was known about the Soviet Union, who were our allies at the time, [but] this never came to the forefront even when the film was used as evidence of the Bros. making subversive films during the McCarthy Era.” (...) >>>

Mission To Moscow
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